A SERIES OF AUDIOVISUAL ATTUNEMENTS



SEPTEMBER - NOVEMBER 2025

GALILÄAKIRCHE
BERLIN-FRIEDRICHSHAIN
BERLIN, GERMANY




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ABOUT ••• ABOUT ••• ABOUT ••• ABOUT ••• ABOUT •• ABOUT ABOUT


Within the practice of attunement, harmony is not always the outcome. Rather, the processes of fine-tuning reveal glimpses of divergence, dissonance, and asynchronicity. Emerging in parallel, these rhythmic entrainments are amplified by the felt sense of togetherness in a shared space, yet never fully converge.

Sintonia is a new series of audiovisual attunements that brings together artists from diverse backgrounds and practices to experiment, connect, and tune in. Through sonic improvisation, live cinema, and other experimental exercises, Sintonia explores the intersections of sound and expanded media, catalyzing dialogues, inquiries, and choreographies within an ephemeral common ground.

Centered around the concept of Tuning In, musicians and visual artists are invited to connect across disciplines and create moments of resonance that transcend traditional formats.

The first edition of Sintonia will take place in the historic Galiläakirche in Berlin-Friedrichshain, consisting of three encounters from September to November 2025. Each evening will feature two performances, opening a space for audiovisual and spatial interaction. Moving beyond conventional stage settings and embracing the unique architectural puzzle of the church, our program and lineup will unfold in conversation with the venue itself.

Co-curated by Miguel Buenrostro and Nico Daleman, Sintonia’s first lineup brings together artists traversing sound, visual media, and collective memory. From Nour Sokhon’s immersive electroacoustic worlds to Interspecifics’ speculative ecologies; from Ale Hop and Laura Robles’ explorations of rhythm and ancestry paired with Elisa Balmaceda’s visuals to the audiovisual rituals and territorial narratives Miguel Buenrostro and Felipe Salmon. Gibrana Cervantes crafted soundscapes to Mohammad Reza Mortazavi raw and embodied approach to improvisation. Together, they form a constellation of attunements across disciplines and geographies.

SCHEDULE ••• SCHEDULE ••• SCHEDULE ••• SCHEDULE ••• SCHEDULE ••




ATTUNEMENT I

04.09.25

Nour Sokhon + Interspecifics

20:00-23:00 - doors 19:30
RESIDENT ADVISOR EVENT


Nour Sokhon and Interspecifics open the series with performances that merge sound and visual experimentation. Sokhon’s audiovisual performance pairs voices, field recordings, and generative processing with immersive visuals that explore the topics of migration, memory, and transformation.


The collective Interspecifics engages with speculative interfaces between various life forms, translating data into sonic and visual compositions. Their work proposes alternative ways of sensing and relating across systems.


Together, their works respond to the acoustic and architectural character of the church, initiating Sintonia with a focus on listening as a shared and expanded practice.



ATTUNEMENT II

09.10.25

Miguel Buenrostro & Felipe Salmon + Agua Dulce (Ale Hop & Laura Robles) + Elisa Balmaceda

20:00-23:00 - doors 19:30
RESIDENT ADVISOR EVENT


The second attunement brings together cinematic narratives, polyrhythmic patterns and digital sound processing to explore elemental geographies. Miguel Buenrostro and Felipe Salmon present a live cinematic piece, inspired by the relation between mountains, myths and planetary rhythms.



Agua Dulce (Ale Hop and Laura Robles), joined by Elisa Balmaceda, channel watery and volcanic energy through rhythmic experimentation and cinematic projection. Processed guitar and Afro-Peruvian percussion merge with fire-infused visuals in a performance that evokes breaking points and leaks.


Together, their works transform the church into a sensory terrain—where image and rhythm vibrate with tectonic force.




ATTUNEMENT III


06.11.25

Gibrana Cervantes + Mohammad Reza Mortazavi

20:00-23:00 - doors 19:30
RESIDENT ADVISOR EVENT


The final attunement invites a deep, immersive encounter shaped by resonance and spatial awareness. Challenging conventional modes of projection, the experience unfolds through ambient lighting and abstract compositions, subtly distributed throughout the space.


Gibrana Cervantes layers processed violin textures that move between delicacy and intensity, while Mohammad Reza Mortazavi’s masterful hand percussion builds intricate, trance-like rhythms.


Together, they shape a shared sonic field where sound is clearly spatial and perception turns collective.


ARTISTS • ARTISTS ••• ARTISTS ••• ARTISTS ••• ARTISTS ••


Agua Duce
(Ale Hop &
Laura Robles)

• ATTUNEMENT II • 09.10.25


»Agua Dulce« is a collaboration project by Berlin-based artists Alejandra Cárdenas (aka Ale Hop) and Laura Robles, and also the name of the most popular beach in Lima, Peru, near where both artists lived during their childhood, houses apart, without ever meeting one another. Years later, the pair joined forces with Robles on a self-built electric cajón and Cárdenas on electric guitar and electronics. Together, they explore rhythmical structures that form the backbone of the complex Afro-Peruvian music and dance traditions – a broad term used for the various musical developments that occurred in the last two centuries at the shores of the Peruvian Pacific. Their music is a radical deconstruction of these rhythms focusing on the cajón, the Peruvian box drum that enslaved peoples made from fruit boxes when Spanish colonizers banned the more familiar foot drum in the 19th century.

Elisa Balmaceda

• ATTUNEMENT II • 09.10.25


Elisa Balmaceda is an artist and transdisciplinary researcher whose work explores the interplay between the material, the invisible, and the spiritual within contemporary energetic and technological landscapes. Combining diverse forms of knowledge and media—such as light, sound, video, and public space interventions—she creates collaborative projects that investigate ecologies of time and more-than-human forces.

Her work has been shown at venues and festivals including the Museum of Contemporary Art in Santiago (Chile), transmediale (Germany), the Museum of Art of Sonora (Mexico), Akademie der Künste (Germany), Ars Electronica (Austria), the Biennial of Media Arts (Chile), and Kunstraum Kreuzberg/Bethanien (Germany), among others.

She is a PhD candidate in Artistic Research at Bauhaus-Universität Weimar, a guest lecturer at several institutions, and co-creator of the art and ecology platform visionaryecologies.xyz, hosted by the Rachel Carson Center for Environment and Society (Germany).


Felipe Salmon

• ATTUNEMENT II • 09.10.25


Felipe Salmon is a Peruvian electronic music producer, best known as one half of Dengue Dengue Dengue. Born in Lima and now based in Berlin, he has played a key role in blending traditional South American rhythms with global electronic sounds. His solo and collaborative work showcase a unique ability to fuse ancestral musical languages with cutting-edge production, highlighting Peru’s rich sonic heritage through contemporary experimentation.

Gibrana Cervantes

• ATTUNEMENT III • 06.11.25


Violinist, composer, and improviser Gibrana Cervantes has become a prominent voice in contemporary avant-garde music. Based in Berlin, the Mexican artist is known for her dynamic, boundary-defying sound that ranges from lyrical to fierce and chaotic. Cervantes co-founded and curates 316centro in Mexico City, a vital platform for experimental sound practices in Latin America.

Interspecifics

• ATTUNEMENT I • 04.09.25


Interspecifics is a transdisciplinary research studio based in Mexico City, founded in 2013 by Mexican artists Paloma López and Leslie García. Their work merges contemporary art, transmedia practices, and sound art, weaving together biology, artificial intelligence, and DIY electronics to explore forms of communication, perception, and cognition beyond the human. They are currently DAAD fellows in sound and music.

Miguel Buenrostro

• ATTUNEMENT II • 09.10.25


Miguel Buenrostro is a Tijuana-born artist and filmmaker based in Berlin. His work delves into the intersections of art and territory, conceiving the border as a site of knowledge production and interconnection. His mediums include cinema, moving images and sonic interventions in public spaces. Buenrostro has showcased his work in the Biennale Architettura di Venezia (2016) , The Bauhaus Museum, (2018) Musée National de la Rd Congo,( 2021 ) Konsthall C, Stockholm ( 2022) and Museo Casa Lago, CDMX (2024). His films have been held in different international film festivals, exhibitions and Public screenings.

Mohammad Reza Mortazavi

• ATTUNEMENT III • 06.11.25


Mohammad Reza Mortazavi is an Iranian percussionist and composer internationally celebrated for his groundbreaking performances on the tombak and daf—traditional Persian hand drums. Recognized from a young age for his exceptional talent, Mortazavi has developed a distinctive style combining complex polyrhythms, trance-like textures, and melodic interplay, crafting deeply hypnotic sonic experiences. His solo performances transcend the expectations of percussion music, offering a dynamic range from subtle and meditative to explosive and danceable. Mortazavi has graced stages at major festivals and venues worldwide, including Roskilde, Fusion, the Sydney Opera House, and the Philharmonies of Berlin and Cologne. In 2022, he released his acclaimed album PRISMA and performed at ARTE’s 30th anniversary celebration at Tresor Berlin. Constantly evolving, Mortazavi’s work pushes rhythmic expression to new emotional and physical dimensions.

Nour Sokhon

• ATTUNEMENT I • 04.09.25


Violinist, composer, and improviser Gibrana Cervantes has become a prominent voice in contemporary avant-garde music. Based in Berlin, the Mexican artist is known for her dynamic, boundary-defying sound that ranges from lyrical to fierce and chaotic. Cervantes co-founded and curates 316centro in Mexico City, a vital platform for experimental sound practices in Latin America.

TICKETS
Entrance per event: 15€
Tickets for all three events will be sold at the door.

VENUE
Galiläakirche | Rigaer Straße 9
10247 Berlin | contact@galilaea-kirche.de
Next tram station: M10/21 Bersarinplatz
Nearest subway station: U5 Frankfurter Tor




CONTACT

FOR PRESS INQUIRIES:
IRENE TREJO
INFO@SINTONIA.IO

INSTAGRAM