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ATTUNEMENT I
04.09.25
Nour Sokhon – Interspecifics
20:00-22:00 - doors 19:00
Nour Sokhon and Interspecifics open the series with performances that merge sound and visual experimentation. Sokhon’s audiovisual performance pairs voices, field recordings, and generative processing with immersive visuals that explore the topics of migration, memory, and transformation.
The collective Interspecifics engages with speculative interfaces between various life forms, translating data into sonic and visual compositions. Their work proposes alternative ways of sensing and relating across systems.
Together, their works respond to the acoustic and architectural character of the church, initiating Sintonia with a focus on listening as a shared and expanded practice.
ATTUNEMENT II
09.10.25
Miguel Buenrostro & Felipe Salmon – Agua Dulce (Ale Hop & Laura Robles) & Elisa Balmaceda
20:00-22:00 - doors 19:00
The second attunement brings together cinematic narratives, polyrhythmic patterns and digital sound processing to explore elemental geographies. Miguel Buenrostro and Felipe Salmon present a live cinematic piece, inspired by the relation between mountains, myths and planetary rhythms.
Agua Dulce (Ale Hop and Laura Robles), joined by Elisa Balmaceda, channel watery and volcanic energy through rhythmic experimentation and cinematic projection. Processed guitar and Afro-Peruvian percussion merge with fire-infused visuals in a performance that evokes breaking points and leaks.
Together, their works transform the church into a sensory terrain—where image and rhythm vibrate with tectonic force.
ATTUNEMENT III
06.11.25
Gibrana Cervantes – Mohammad Reza Mortazavi
20:00-22:00 - doors 19:00
The final attunement invites a deep, immersive encounter shaped by resonance and spatial awareness. Challenging conventional modes of projection, the experience unfolds through ambient lighting and abstract compositions, subtly distributed throughout the space.
Gibrana Cervantes layers processed violin textures that move between delicacy and intensity, while Mohammad Reza Mortazavi’s masterful hand percussion builds intricate, trance-like rhythms.
Together, they shape a shared sonic field where sound is clearly spatial and perception turns collective.